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The Alien Years, by Robert Silverberg
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It Was The Worst of Times...
Fifteen feet tall, the Entities land in cities across Earth. Ignoring humankind, they wall themselves in impenetrable enclaves, enslaving a few willing collaborators with their telepathic PUSH. Then they plunge humans into a new Dark Age without electricity, allowing us to live--but no longer as a dominant species.
But a few refuse to submit to fate, including the Carmichael family, whose patriarch, an aging colonel devoted to resistance, will inspire a daring new generation of dissidents. United in spirit, these diverse rebels--an aging hippie, a cold-blooded Muslim assassin, a prodigal son, and a renegade hacker--will carry on the colonel's legacy as they attempt to kill the mysterious Prime Entity and free the planet.
- Sales Rank: #2959043 in Books
- Published on: 1999-07-07
- Released on: 1999-07-07
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 1.24" w x 4.19" l,
- Binding: Mass Market Paperback
- 496 pages
- Paperback novel, science fiction, English language, Robert Silverberg
From Publishers Weekly
Silverberg (Sorcerors of Majipoor) returns to his 1986 short story "The Pardoner's Tale" as the inspiration for this sobering and frightening novel of extraterrestrial invasion. The narrative opens seven years hence, with the arrival of alien spaceships on Earth, an event that has a devastating effect on the Carmichael family. Pilot Michael Carmichael is killed trying to fight the huge firestorms in Los Angeles that erupt when the alien ships land; his wife, Cindy, leaps at the chance to go aboard one of the UFOs and become an interpreter for the "Entities"; and his brother, Colonel Anson Carmichael, is summoned by Washington to help cope with the situation. Before there is time to react, however, the aliens' intent becomes known as they disrupt all electricity and plunge civilization back into the Dark Ages. Silverberg's story is clear-eyed, credible and occasionally bleak. Faced with an omnipotent enemy, mankind's only alternative is to refuse to capitulate and to attempt to endure. Isolated and relatively safe in their mountain ranch, the extended Carmichael clan tries to go on with their lives while working on ways to resist their oppressors. Silverberg's technique of leapfrogging several years ahead between chapters furthers momentum, and while the enemy in his story is disturbingly inhuman, the focus of the tale is the humanity of his characters and their efforts to keep hope alive. The novel's ending seems arbitrary, but Silverberg's rich characters, his dead-on target vision of modern society, his mastery at building tension?all are in evidence in this notable outing from one of the very best. Agent: Ralph Vicinanza. (Aug.) FYI: Silverberg has won five Nebulas and four Hugos in his 44 years as an SF writer.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
In the first decade of the new millennium, a sudden invasion by an alien species known only as the Entities brings about the swift and total conquest of Earth except for a small pocket of resisters led by Col. Anson Carmichael and his remarkable family. The latest novel by sf grand master Silverberg chronicles a half-century of struggle and frustration as generations of Carmichael sons and daughters strive to keep alive the concept of freedom in the face of overwhelmingly superior conquerors. Silverberg remains a superb raconteur whose patriarchal tendencies serve as a minor flaw in a remarkable study of human endurance and patience that belongs in most sf collections.
Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews
Alien invasion yarn from the veteran author of Sorcerers of Majipoor (1997), etc. Seven years from now, huge alien spaceships appear all over the Earth; in California, a ship's exhaust carelessly causes vast brushfires that pilot Mike Carmichael dies trying to extinguish. Mike's weird New Age wife, Cindy, goes aboard the alien vessel, relays a message of peace and friendship, and refuses to leave. All other attempts to communicate with the aliens fail. Meanwhile, Mike's brother, retired Colonel Anson Carmichael III, is summoned to the Pentagon to discuss the situation. The aliens come in three varieties: the dominant squid-like Entities; the balloon-like Spooks; and the huge blue Behemoths. Clearly, the aliens are highly advanced and cant be defeated, but what do they want? The Colonel returns to his California ranch none the wiser, but soon the aliens switch off the world's electricity, and governments, economies, and social orders collapse overnight. The Colonel gathers the Carmichael clan at his ranch and founds a center of resistance to the aliens, who can control anyone by means of the Touch (a telepathic inquisition) and the Push (an irresistible compulsion). Attempts to damage the aliens or their installations are met with devastating plagues and other brutal reprisals. The years pass. Some humans, like computer whiz Karl-Heinrich Borgmann, collaborate with the aliens. The Carmichaels continue to scheme and plotineffectually, but they never give up through more than half a century of aloof occupation. Realistic, often intriguing, but too episodic to be fully involving. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
11 of 12 people found the following review helpful.
Rich and Insightful Meditations
By Billyjack D'Urberville
This extraordinary science fiction novel is only ostensibly about a long period of alien occupation of Earth. It packs more dead-on social observation into the first 25 pages than vast truckfuls of our current baleful crop of "literary fiction," and without either the pretension or constipated phrase-making. Silverberg writes straightforwardly clear modern English, supple, gracefully colorful, never missing significant detail but always smoothly moving the narrative ahead. There are several very well rounded, complex characters, and few minor characters pass without something important observed about them. Truth is, this is not just a science fiction novel: an alien invasion circa right now simply serves as the platform for rich and insightful meditations upon America, the sort of people that inhabit it, California in particular, and the direction of what we call freedom.
Always wry and sometimes satirical, Silverberg's give away comes early when we see the aliens land and disembark. Their curved, needle-like ships that land upright are straight out of every 1950s black and white B science fiction movie matinee. The tripod-like aliens are also common currency, and a sort of tip of the hat to H.g. Wells, who the book is partial tribute and payback to. The extraordinary thing is the aliens' sublime detatchment and disinterest in us. They start no wars, just occasionally retaliate against us as we do against yellow jackets on our patios with a can of Raid in our hands, and about as randomly. There's nothing wrong with the story's ending either, and even though the book is 480 pages you will move there very quickly.
I picked this book up as a break from more serious things, and met a dimension of my fellow countrymen and the current pulse of our nation that has all but disappeared from American fiction. From old military types to new age babes, occasional heros, computer geeks, perverts, Islamists, ordinary people caught up in bigger things, everyday malcontents, moms and dads, kids in love -- a big bite of who we are and what we are about is miraculously preserved here.
1 of 1 people found the following review helpful.
Reusing old short story fiction is poor novel art
By John
To devoted Silverberg readers it is highly displeasing to revisit old short story material refurbished into a novel. It may be a trend that has taken root, it may even be profitable, but I don't like it when authors - and especially not proven maestroes as Silverberg - fall into the easy sin of reengineering their already published short stories into novels. "The Alien Years" comprises "Against Babylon" and "The Pardoner's tale", both strong and impressive short stories printed in "The collected stories of Robert Silverberg of 1992, and fragments of "Hannibal's Elephants" from the same collection. When you mix three old wines and add water you don't get a great new synergetic wine. You get a bad taste in your mouth because you are being scammed into buying old stuff that has passed your tongue already. Having read Silverberg through some 20 years or so I didn't like that trick when he did it in "Hot Sky at Midnight" and "Starborne" - both being merely expansion novels of prior short story fiction. It may be good business - cash returns is a consideration, as Silverberg himself stated (correctly, I think) in his introduction to "The Conglomeroid Cocktail party", but it sure is not what you expect from a mature Silverberg and not from a book announced as "His Epic Masterpiece". Masterpieces are not borne into this world by reprocessing your former writings into new covers. I do hope and strongly recommend that Silverberg and his publisher may at some point come to reevaluate their publishing policy and choose to show timely restraint and not go on blindly reediting and remarketing the past short stories into future novels. The readers that appreciate Silverberg aren't exactly stupid. His art is impressive because of its unique flavour and craftmanship, but repetition does not enhance its qualities. The authorship deserves better; and better may in fact mean lesser, preferably with the depth and subtlety that remains the gift of an ol' hand of science fiction without whom my moments of intellectual satisfaction in this world would be far less than they are. John Peter Andersen, Denmark
0 of 0 people found the following review helpful.
New old territory for Silverberg.
By A Customer
Tentacled purple aliens with glowing orange eyes invade Los Angeles with the human resistance movement led by a family headed by a man known as "The Colonel" -- and the name on the cover is Robert Silverberg? The plot summary and, for that matter, most of the book itself seemed to be something more likely from the pens of Larry Niven and Jerry Pournelle than from Silverberg, master of the somber, psychological SF novel. Many of Silverberg's most successful books explore the depths of the mind and spirit of an individual man. The locales sometimes are exotic (e.g., "Lord Valentine's Castle" and "The Face of the Waters") but the real setting is almost always inside the heart and brain of the point-of-view character. In "The Alien Years", however, Silverberg presents us with an alien invasion, a theme which long ago became virtually a cliche of SF books and movies, and he tells the story through a multiplicity of viewpoints, mos! t often as seen by members of the Carmichael family, a clan noted for their steely blue eyes and their iron sense of duty. The book jacket's blurb of "His Epic Masterpiece" refers to, I imagine, the timescale of the novel -- the action taking place across several decades. This plot and these characters are not anything new to SF; similar elements have been used by numberous authors over the years. But, Silverberg being Silverberg, there are unusual touches. Despite their stereotypical tentacles, the invaders of "The Alien Years" are more mystery than monster. They present the successive generations of Carmichaels with a challenge and goal as forbidding and unknown as the Wall in Silverberg's "Kingdoms of the Wall". And the ending of the novel sets Silverberg's own stamp on the old story. I cannot think of another author who would have created quite the same conclusion to the novel. "The Alien Years" does not perhaps rank among the! very best of Silverberg's work, but it is interesting to s! ee him work with an overly familiar and somewhat tired theme and to give it his own special new twist.
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